The Centre for Digital Scholarship at the University for the Creative Arts has launched toolkits resulting from the VADS4R project. This project delivered a series of workshops on research data management in the visual arts at the University for the Creative Arts, Glasgow School of Art and Falmouth University, supported by the Arts and Humanities Research Council (AHRC). Over 186 postgraduates and researchers participated in the project from universities across the UK, exploring the nature of ‘research data’ in the visual arts and sharing their practice and tips for its effective management.
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Wednesday, 17 December 2014
New toolkits for research data management in the visual arts
The Centre for Digital Scholarship at the University for the Creative Arts has launched toolkits resulting from the VADS4R project. This project delivered a series of workshops on research data management in the visual arts at the University for the Creative Arts, Glasgow School of Art and Falmouth University, supported by the Arts and Humanities Research Council (AHRC). Over 186 postgraduates and researchers participated in the project from universities across the UK, exploring the nature of ‘research data’ in the visual arts and sharing their practice and tips for its effective management.
Monday, 2 June 2014
Programmes from the Royal Albert Hall go online
Tuesday, 14 June 2011
Women's Library Suffrage Collection online
A unique collection relating to British women’s fight for the vote 100 years ago has been revealed online today through the Visual Arts Data Service (VADS).
The digitised material represents a selection of the vast collections housed at the Women’s Library at London Metropolitan University, and includes posters, photographs, postcards, badges, and other memorabilia relating to the British suffrage movement.
Particularly remarkable and moving items from the online collection include a photograph of a crowd attacking suffragettes, and the purse that was held by Emily Wilding Davison at the Epsom Derby in 1913, when she stepped in front of the horse of King George V, which resulted in her death four days later.
The Women’s Library is the oldest and largest collection of women’s history in the UK and was founded in 1926 as the Library of the London Society for Women’s Service, a non-militant organisation led by leading suffragist, Millicent Fawcett. It is now held by the London Metropolitan University and is an internationally acclaimed specialist library, archive, and museum with collections that have broadened since its inception to include a wide range of subjects which focus on the lives of women in Britain. The collection now consists of 60,000 books and pamphlets, 3500 periodical titles, over 450 archives, and 5000 museum objects.
The collection of valuable documents, from the Women's Library and the Parliamentary Archives, which tell the story of the women’s suffrage movement has also recently been selected as one of twenty collections to represent the outstanding heritage of the United Kingdom on the UNESCO UK Memory of the World Register.
The online selection provides a taster of these extensive collections, and adds to the national repository of over 120,000 digitised images available through VADS from a range of collections across the UK. In particular, this latest addition complements the existing online collection of Women’s Library Suffrage Banners, which includes almost 250 banners and associated artworks which have been made available online for free use in education and research.
Friday, 6 May 2011
Royal College of Art makes Special Collections publicly available
Two of the Royal College of Art’s most important collections have been made available to the general public through a new digitisation project which is accessible through the Visual Arts Data Service (VADS).
The Record of Student Work is a rare collection, containing over 30,000 slides of student work, which dates back to the 1960s and includes early work by notable College alumni including David Hockney, Tracey Emin, Ridley Scott and Thomas Heatherwick. A comprehensive and unique resource, it provides insight into the early creative processes of some of Britain’s best-known artists and designers, usually captured as they complete their postgraduate studies with installation shots from students’ degree shows.
The nature of the collection - comprised mainly of 35mm slides and usually locked in filing cabinets in the RCA library - has meant that many of these images have never been published. Now however, a three-year scanning project has resulted in over 5,000 of the most notable images from the collection being made publicly available for the first time.
The earliest slides (1960-1978) represent ad hoc attempts by individual departments to record their students’ work. Fashion and Textiles are especially well represented with images of the work of Ossie Clark and Zandra Rhodes among many others. However, from 1979, at the instigation of Christopher Frayling, then Professor of General Studies, Jan Murton, slide curator, and photographer Barry Marsden, the Royal College of Art degree show was comprehensively photographed and catalogued across all departments for the first time. The approach continues to this day, although slides were replaced with digital photography in 2003.
Notable alumni whose work is represented in this selection include: David Hockney, Zandra Rhodes, Chris Ofili, Tracey Emin, Julien Macdonald, Philip Treacy, Orla Kiely, Harold Offeh and Thomas Heatherwick. These images are a representative sample of the entire collection 1960-2002 and all have been scanned from the original 35mm slides. Senior tutors from each department worked with the Special Collections Manager to identify key students’ work. Once a student was selected, every available slide of their work was digitised to provide a comprehensive picture of their work.
In addition to the Record of Student Work, over a thousand works from the Royal College of Art Collection of Paintings have been digitised and are also being made available through VADS. The Royal College of Art Collection is an invaluable resource of works that represent significant developments in British painting from the middle years of the 20th century to the present. The collection is made up of works donated by Painting graduates and staff. Examples include works by: Edward Bawden, Eric Ravilious, Paul Nash, John Piper, Frank Auerbach, John Minton, Peter Blake, David Hockney, Chris Ofili, Tracey Emin, Dinos Chapman and Sophie von Hellermann.
Dr Paul Thompson, Rector of the Royal College of Art said: “These are indeed remarkable resources. Those selected from the Record of Student Work have been chosen not only for their subsequent eminence and reputation, but also for embodying particular trends, or producing especially idiosyncratic or revealing work. In both collections, the works have considerable research value and represent over half a century of work here at the RCA”
Neil Parkinson, Special Collections Manager added: “The College believes in making the images available as widely as possible on a non-commercial basis for the purposes of learning, teaching and research. The Visual Arts Data Service (VADS), which collates images from the HE sector for educational use, shares this aim, which makes them a natural partner for delivery of our image collections to the widest possible audience.”
The Visual Arts Data Service (VADS) is a Research Centre within the Library and Learning Services Department at the University for the Creative Arts, and specialises in the management, storage, presentation, and archiving of digital images and other arts-based assets. VADS was founded to provide services to the academic community 14 years ago, and since that time it has built an online collection of more than 120,000 images of rare and unique collections from libraries, museums, and archives in universities and colleges across the UK, which are made available online for the purposes of learning, teaching, and research at: www.vads.ac.uk
View the collections online at:
Royal College of Art Record of Student Work
Royal College of Art Collection